seth copeland
Freedoms
Notes for Freedoms:
Photos from Fujifim Instax camera and crib text from old, public domain tech manuals and works on everything from linguistic sound patterns to electromagnetic theory. The materials blur the thin separations between the text and the image, seeing as text is already just image patterns refitted as code.
raphaele cohen-bacry
Table for Two
Passageway
Materials:
Cut-and-pasted printed paper on printed paper
todd bartel
Proportions and Table Manners
(recto)
(verso)
Proportions and Table Manners, [Landscape Vernacular Series], 2014:
Burnished, puzzle-piece fit collage, 19th-century papers, end pages, marbled papers, Xerographic prints on antique end paper, toner transfers on rain eroded bulletin board papers, canceled stamp and envelope remnant, pencil, antique cellophane tape, archival document repair tape, yes glue and dictionary definitions, artist-made frame
mike corrao + logan jones
two works from 'GAUNTLET'
GAUNTLET is an exploration of the simulated landscape. The series was created using old exhibition catalogues from the Minneapolis Institute of Art which were then scanned and digitally manipulated.
sarah j. sloat
Astonishment
Sheet Music
Notes for Astonishment:
Text from Welty, Eudora. “Lily Daw and the Three Ladies.” Thirteen Stories. Harcourt Brace & Co., 1965.
elaine miller
Time Apart
Materials for Time Apart (2019):
Hand-cut collage; archival inkjet prints, magazine, 3D puff stickers, holographic
stickers, laser-cut vinyl, paint marker, metallic permanent marker, paper tape
jj pelechaty
Ice the Patriarchy
Materials for Ice the Patriarchy (2019):
scissors, rubber cement, and magazine cuts
anthony cody
A passport photo asks me...
This is your land, Holtville, CA
Notes on poems:
a passport photo asks me... is part of a sequence of poems examining movement, violences, resistance, and my own mixed ancestry. The sequence opens my forthcoming collection Borderland Apocrypha (Omnidawn, April 2020). The illustration is titled “Going After Ammunition”, which appeared in W.E. Webb’s “Buffalo Land” (E. Hannaford & Co., 1873). I was drawn toward the buffalo’s smoldering quiet amidst the displacement of the colonizer.
This land is your land... utilizes a cropped photograph titled Refugee families encamped near Holtville, California captured by Dorothea Lange in March 1937 as part of her work with the United States government’s Farm Security Administration to document the Dust Bowl, and its impact on communities. The poem is part of my current, larger work-in-progress which explores the man-made Dust Bowl, the culpability of privilege upon the natural world, and a future within Climate Change.
calvin walds
Looking for Audre
Original Text: Live draft of ‘Looking for Audre’ composed on TextEdit.
Background Image: Katherine Agard performance still
Videos:
The Complete last reading in Berlin (Audre Lorde), Audre Lorde in Berlin - in bed, on racism at airport,COPS Intro, Audre Lorde live at UCLA,Gloria Joseph on Audre’s necklaces- Deleted Scene from ‘Audre Lorde, The Berlin Years’ fllm,Migrant Rescue
Cited Texts:
Excerpt from Zami, A New Spelling of My Name (1982), Audre Lorde
The Negro Family the Case for National Action (1965), Daniel Patrick Moynihan
In the Wake (2016), Christina Sharpe
issue #4 click names or scroll to the side |
||
seth copeland | + + |
freedoms |
raphaele cohen-bacry | + + | two pieces |
todd bartel | + + | proportions and table manners |
mike corrao logan jones | + + | two works from 'GAUNTLET' |
sarah j. sloat | + + | two pieces |
elaine miller | + + | time apart |
jj pelechaty | + + | ice the patriarchy |
anthony cody | + + | two pieces |
calvin walds | + + | looking for audre |
contributor notes |
seth copeland
freedoms
Freedoms
Notes for Freedoms:
Photos from Fujifim Instax camera and crib text from old, public domain tech manuals and works on everything from linguistic sound patterns to electromagnetic theory. The materials blur the thin separations between the text and the image, seeing as text is already just image patterns refitted as code.
raphaele cohen-bacry
Table for Two
Passageway
Table for Two
Passageway
Materials:
Cut-and-pasted printed paper on printed paper
todd bartel
proportions and table
manners (recto + verso)
proportions and table manners (recto)
proportions and table manners (verso)
Notes for Proportions and Table Manners, [Landscape Vernacular Series], 2014:
Burnished, puzzle-piece fit collage, 19th-century papers, end pages, marbled papers, Xerographic prints on antique end paper, toner transfers on rain eroded bulletin board papers, canceled stamp and envelope remnant, pencil, antique cellophane tape, archival document repair tape, yes glue and dictionary definitions, artist-made frame
mike corrao +
logan jones
two works from 'GAUNTLET'
two works from 'GAUNTLET'
GAUNTLET is an exploration of the simulated landscape. The series was created using old exhibition catalogues from the Minneapolis Institute of Art which were then scanned and digitally manipulated.
sarah j. sloat
Astonishment
Sheet Music
Astonishment
Sheet Music
Notes for Astonishment:
Text from Welty, Eudora. “Lily Daw and the Three Ladies.” Thirteen Stories. Harcourt Brace & Co., 1965.
elaine miller
Time Apart
Time Apart
Materials for Time Apart (2019):
Hand-cut collage; archival inkjet prints, magazine, 3D puff stickers, holographic stickers, laser-cut vinyl, paint marker, metallic permanent marker, paper tape
jj pelechaty
Ice the Patriarchy
Ice the Patriarchy
Materials for Ice the Patriarchy (2019):
scissors, rubber cement, and magazine cuts
anthony cody
A passport photo asks me...
This is your land, Holtville, CA
A passport photo asks me...
This is your land, Holtville, CA
Notes on poems:
a passport photo asks me... is part of a sequence of poems examining movement, violences, resistance, and my own mixed ancestry. The sequence opens my forthcoming collection Borderland Apocrypha (Omnidawn, April 2020). The illustration is titled “Going After Ammunition”, which appeared in W.E. Webb’s “Buffalo Land” (E. Hannaford & Co., 1873). I was drawn toward the buffalo’s smoldering quiet amidst the displacement of the colonizer.
This land is your land... utilizes a cropped photograph titled Refugee families encamped near Holtville, California captured by Dorothea Lange in March 1937 as part of her work with the United States government’s Farm Security Administration to document the Dust Bowl, and its impact on communities. The poem is part of my current, larger work-in-progress which explores the man-made Dust Bowl, the culpability of privilege upon the natural world, and a future within Climate Change.
calvin walds
Looking for Audre
Looking for Audre
Original Text: Live draft of ‘Looking for Audre’ composed on TextEdit.
Background Image: Katherine Agard performance still
Videos:
The Complete last reading in Berlin (Audre Lorde), Audre Lorde in Berlin - in bed, on racism at airport, COPS Intro, Audre Lorde live at UCLA, Gloria Joseph on Audre’s necklaces- Deleted Scene from ‘Audre Lorde, The Berlin Years’ fllm, Migrant Rescue
Cited Texts:
Excerpt from Zami, A New Spelling of My Name (1982), Audre Lorde
The Negro Family the Case for National Action (1965), Daniel Patrick Moynihan
In the Wake (2016), Christina Sharpe