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issue #4   |   summer 2019




issue #4

click names or scroll

seth copeland+
+
freedoms
raphaele
cohen-bacry
+
+
two pieces
todd bartel+
+
proportions and table manners
mike corrao
logan jones
+
+
two works from 'GAUNTLET'
sarah j. sloat+
+
two pieces
elaine miller+
+
time apart
jj pelechaty+
+
ice the patriarchy
anthony cody+
+
two pieces
calvin walds+
+
looking for audre
contributor notes

seth copeland

Freedoms



Notes for Freedoms:
Photos from Fujifim Instax camera and crib text from old, public domain tech manuals and works on everything from linguistic sound patterns to electromagnetic theory. The materials blur the thin separations between the text and the image, seeing as text is already just image patterns refitted as code.

raphaele cohen-bacry

Table for Two



Passageway

Materials:
Cut-and-pasted printed paper on printed paper

todd bartel

Proportions and Table Manners

(recto)



(verso)



Proportions and Table Manners, [Landscape Vernacular Series], 2014:

Burnished, puzzle-piece fit collage, 19th-century papers, end pages, marbled papers, Xerographic prints on antique end paper, toner transfers on rain eroded bulletin board papers, canceled stamp and envelope remnant, pencil, antique cellophane tape, archival document repair tape, yes glue and dictionary definitions, artist-made frame

mike corrao + logan jones

two works from 'GAUNTLET'





GAUNTLET is an exploration of the simulated landscape. The series was created using old exhibition catalogues from the Minneapolis Institute of Art which were then scanned and digitally manipulated.

sarah j. sloat

Astonishment



Sheet Music



Notes for Astonishment:
Text from Welty, Eudora. “Lily Daw and the Three Ladies.” Thirteen Stories. Harcourt Brace & Co., 1965.

elaine miller

Time Apart



Materials for Time Apart (2019):
Hand-cut collage; archival inkjet prints, magazine, 3D puff stickers, holographic stickers, laser-cut vinyl, paint marker, metallic permanent marker, paper tape

jj pelechaty

Ice the Patriarchy



Materials for Ice the Patriarchy (2019):
scissors, rubber cement, and magazine cuts

anthony cody

A passport photo asks me...



This is your land, Holtville, CA



Notes on poems:

a passport photo asks me... is part of a sequence of poems examining movement, violences, resistance, and my own mixed ancestry. The sequence opens my forthcoming collection Borderland Apocrypha (Omnidawn, April 2020). The illustration is titled “Going After Ammunition”, which appeared in W.E. Webb’s “Buffalo Land” (E. Hannaford & Co., 1873). I was drawn toward the buffalo’s smoldering quiet amidst the displacement of the colonizer.

This land is your land... utilizes a cropped photograph titled Refugee families encamped near Holtville, California captured by Dorothea Lange in March 1937 as part of her work with the United States government’s Farm Security Administration to document the Dust Bowl, and its impact on communities. The poem is part of my current, larger work-in-progress which explores the man-made Dust Bowl, the culpability of privilege upon the natural world, and a future within Climate Change.

calvin walds

Looking for Audre

Original Text: Live draft of ‘Looking for Audre’ composed on TextEdit.

Background Image: Katherine Agard performance still

Videos:
The Complete last reading in Berlin (Audre Lorde), Audre Lorde in Berlin - in bed, on racism at airport,COPS Intro, Audre Lorde live at UCLA,Gloria Joseph on Audre’s necklaces- Deleted Scene from ‘Audre Lorde, The Berlin Years’ fllm,Migrant Rescue

Cited Texts:
Excerpt from Zami, A New Spelling of My Name (1982), Audre Lorde
The Negro Family the Case for National Action (1965), Daniel Patrick Moynihan
In the Wake (2016), Christina Sharpe


ctrl + v

issue #4   |   summer 2019


Loading issue...

issue #4

click names or scroll to the side

seth copeland+
+
freedoms
raphaele
cohen-bacry
+
+
two pieces
todd bartel+
+
proportions and table manners
mike corrao
logan jones
+
+
two works from 'GAUNTLET'
sarah j. sloat+
+
two pieces
elaine miller+
+
time apart
jj pelechaty+
+
ice the patriarchy
anthony cody+
+
two pieces
calvin walds+
+
looking for audre
contributor notes

seth copeland

freedoms

Freedoms

Notes for Freedoms:
Photos from Fujifim Instax camera and crib text from old, public domain tech manuals and works on everything from linguistic sound patterns to electromagnetic theory. The materials blur the thin separations between the text and the image, seeing as text is already just image patterns refitted as code.

raphaele cohen-bacry

Table for Two

Passageway

Table for Two

Passageway

Materials:
Cut-and-pasted printed paper on printed paper

todd bartel

proportions and table
manners (recto + verso)

proportions and table manners (recto)

proportions and table manners (verso)

Notes for Proportions and Table Manners, [Landscape Vernacular Series], 2014:

Burnished, puzzle-piece fit collage, 19th-century papers, end pages, marbled papers, Xerographic prints on antique end paper, toner transfers on rain eroded bulletin board papers, canceled stamp and envelope remnant, pencil, antique cellophane tape, archival document repair tape, yes glue and dictionary definitions, artist-made frame

mike corrao +
logan jones

two works from 'GAUNTLET'

two works from 'GAUNTLET'

 

GAUNTLET is an exploration of the simulated landscape. The series was created using old exhibition catalogues from the Minneapolis Institute of Art which were then scanned and digitally manipulated.

sarah j. sloat

Astonishment

Sheet Music

Astonishment

Sheet Music

Notes for Astonishment:
Text from Welty, Eudora. “Lily Daw and the Three Ladies.” Thirteen Stories. Harcourt Brace & Co., 1965.

elaine miller

Time Apart

Time Apart

Materials for Time Apart (2019):
Hand-cut collage; archival inkjet prints, magazine, 3D puff stickers, holographic stickers, laser-cut vinyl, paint marker, metallic permanent marker, paper tape

jj pelechaty

Ice the Patriarchy

Ice the Patriarchy

Materials for Ice the Patriarchy (2019):
scissors, rubber cement, and magazine cuts

anthony cody

A passport photo asks me...

This is your land, Holtville, CA

A passport photo asks me...

This is your land, Holtville, CA

Notes on poems:
a passport photo asks me... is part of a sequence of poems examining movement, violences, resistance, and my own mixed ancestry. The sequence opens my forthcoming collection Borderland Apocrypha (Omnidawn, April 2020). The illustration is titled “Going After Ammunition”, which appeared in W.E. Webb’s “Buffalo Land” (E. Hannaford & Co., 1873). I was drawn toward the buffalo’s smoldering quiet amidst the displacement of the colonizer.

This land is your land... utilizes a cropped photograph titled Refugee families encamped near Holtville, California captured by Dorothea Lange in March 1937 as part of her work with the United States government’s Farm Security Administration to document the Dust Bowl, and its impact on communities. The poem is part of my current, larger work-in-progress which explores the man-made Dust Bowl, the culpability of privilege upon the natural world, and a future within Climate Change.

calvin walds

Looking for Audre

Looking for Audre

Original Text: Live draft of ‘Looking for Audre’ composed on TextEdit.

Background Image: Katherine Agard performance still

Videos:
The Complete last reading in Berlin (Audre Lorde), Audre Lorde in Berlin - in bed, on racism at airport, COPS Intro, Audre Lorde live at UCLA, Gloria Joseph on Audre’s necklaces- Deleted Scene from ‘Audre Lorde, The Berlin Years’ fllm, Migrant Rescue

Cited Texts:
Excerpt from Zami, A New Spelling of My Name (1982), Audre Lorde
The Negro Family the Case for National Action (1965), Daniel Patrick Moynihan
In the Wake (2016), Christina Sharpe

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