yvonne litschel
懐 ( なつ ) かしい ｓｈｏｅｂｏｘ 二
(nostalgia shoebox) 二
Notes:
Scattered ephemera from a trip to Japan and fragments of letters from a monk.
cyrus stuvland
on a clear day
Materials:
glue and magazine clippings.
Source text:
Missouri Review
kay are
three from production of space
1) A window has another spelling
2) In every space there is a hint of more
3) Any force which is bestowed on a floor shows rubbing
Notes:
All titles are lines lifted from ‘Rooms’, a chapter in Gerturde Stein’s Tender Buttons (1914)
sarah j. sloat
Notes:
Part of a series exploring
the concept of agency through combining found textures and hues and ‘by’ phrases from books.
Materials:
Old books and paper, book covers, notebooks and pamphlets
hannah lamb-vines
from stone paintings: thrice inclined
Notes:
text and images taken from "GEMSTONES of the world" by walter schumann translated by evelyne stern, with polaroid by the artist (2019).
michael fong
the best time is now/never/later
Notes:
Time lapse video of installation.
The piece uses the previous day’s stock data from Fannie Mae as values to move the machine vertically.
The choreography lasts approximately 8 hours and through the calculated values always ensures there
will be high and low spikes throughout the day to cause the pieces to fall to the floor. Speed of
the movement is regulated by the distance it travels to create constant, but sometimes slow
movement; the piece is always active and moving. Constructed from extruded aluminum, 3D printed parts,
and microcontroller computer boards.
mariah bosch
one fresh one salt
Notes:
found images from gardening guidebook and travel magazines.
adness veins
weekairyawn
Materials:
iPhone.
olivia muenz
the sound of i
Materials:
Text - whiteout erasure of a poem by Ian Lockaby
Sound - laugh track and heartbeat
Video - heartbeat created by iPhone
.